But what Carter actually wrote was:
Explore the lady of the house of love in light of this idea. During the course of the lady of the house of love there are numerous ideas surrounding sex interlinked with death. The countess lures her victims in to the bedroom; a room which is associated with sexual imagery and she murders them there.
It may also suggest that Carter is trying to associate sex in light of something negative, proposing it is psychologically harmful or perhaps even physically so, which is why such a strong association with fear and death is interlinked around it. However this association with sex in a negative light could imply that it is taking more of a feminist input.
The fact that Carter refers to the bedroom as a place of pain and death may in tern emphasise her pessimistic views towards sex, and or marriage and the repression of women through the loss of their virginity and furthermore purity and power.
Despite this however there is a role reversal, which is un common in light of feminist texts, especially the work of Carter. She seemingly equals out the roles of men and women, with the Countess becoming the active character and the bicyclist becoming the passive role. This could imply from a feminist perspective that Carter believes women enjoy being passive in society to some extent, that they do not crave the power to overcome men, perhaps merely equality is enough?
Sunday, 3 April How does Carter challenge or uphold the readers expectations of a gothic text in the lady of the house of love. How does Carter challenge or uphold the readers expectations of a gothic text in the lady of the house of love.
During the course of this essay I am going to explore the expectations we as a reader may have of a gothic text and explore the extent to which Carter challenges or upholds these expectations in the lady of the house of love. The setting featured in the lady of the house of love suggests that Carter wants to uphold the readers expectations of a gothic text.
The house is "derelict and dark" and has been "neglected" by the female vampire that lives within it. The seemingly abandoned house could relate to the vampires negative feelings toward her inheritance and her negative feelings towards her surroundings.
There is also religious references featured in the Lady of the house of love, with additional corrupted elements within it. The use of the "bridal gown" could relate again back to the gothic text of Dracula, and the imagery of an anti-Christ figure wearing a wholly outfit emphasises the idea of corruption.
Furthermore a bride is traditionally expected to be pure, however the ideas of penetration and the exchange of bodily fluids associated with vampires, strongly infects the idea of wholesomeness and purity. Carter may do this to add a more sinister twist on the theme of religion, whilst maintaining a gothic element within her story, suggesting she intended to uphold the readers expectations of a gothic text.
Another commonly featured idea which is featured throughout gothic texts is that of attraction and revulsion. This is featured in the lady of the house of love with regards to the countess herself and how the soldier reacts to her striking appearance.
The countess and her "huge eyes almost broke his heart with their waiflike, lost look; yet he was disturbed, almost repelled, by her extraordinarily fleshy mouth".Jane Austen Pride and Prejudice James Baldwin Giovanni’s Room Angela Carter The Magic Toyshop Willa Cather O Pioneers!
Eleanor Catton The Luminaries The Nation’s Favourite Second Novel – Full Voting List Zadie Smith The Autograph Man Stendhal The Red and the Black. Comparison of "Persuasion" and "The Magic Toyshop" Summary: Essay explains how sympathetically Jane Austen's "Persuasion" and Angela Carter's "The Magic Toyshop" depict male behavior.
Both The Magic Toyshop by Angela Carter and Persuasion by Jane Austen are constructed as love stories, although not conventional love stories. The Magic Toyshop: Angela Carter Book in Paperback.
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