Death and all things associated with it numb the experience of anguish. When a melancholy mood comes to the individual, he should feed it by observing the beauty of roses, rainbows, and peonies.
The first stanza tells what not to do: For, the speaker says, that will make the anguish of the soul drowsy, and the sufferer should do everything he can to remain aware of and alert to the depths of his suffering.
In the second stanza, the speaker tells the sufferer what to do in place of the things he forbade in the first stanza.
In the third stanza, the speaker explains these injunctions, saying that pleasure and pain are inextricably linked: At the start of the poem nature is used to depict symbols of sorrow and grief.
Whether it is the poisonous waters of Hades or poisonous plants, the speaker is warning the reader not to turn to darkness during their time of sadness.
Another aspect of the Romantic period within this poem is the personification of emotions like melancholy.
We cannot simply overcome melancholy but instead, like a person, it can fight and scheme against us. This poem links pleasure and pain through nature, saying this is the root of melancholy because we cannot have beauty or joy without sadness. At once the connection is made by an excessive amount of sorrow being unloaded onto the beautiful things in nature.
We are first introduced with the subject of the poem, melancholy, and then the poem develops to command the reader on how to act.
The speaker calls for action on part of the reader and all those facing sorrow. This is not a poem meant simply to be admired but to provide a lesson that the reader can take away from it, but what message or lesson Keats was trying to convey? However, this advice does not seem to promise an entirely happy ending.
Although there is direction not to entirely give into sadness but instead to feed it with natural beauty, in the end melancholy will win. We cannot separate pleasure and pain but can only learn how to live with the two entwined. Ultimately, this ode provides advice but perhaps not an ideal solution.
It is precisely the fact that joy will come to an end that makes the experience of joy such a ravishing one; the fact that beauty dies makes the experience of beauty sharper and more thrilling.
The speaker has fully rejected his earlier indolence and set out to engage actively with the ideas and themes that preoccupy him, but his action in this poem is still fantastical, imaginative, and strenuous.
He can only find what he seeks in mythical regions and imaginary temples in the sky; he has not yet learned how to find it in his own immediate surroundings.In his ‘Ode on Melancholy’ (written in ), the poet offers some advice on how to deal with a dose of the doldrums.
In this post, we’re going to offer an analysis of ‘Ode on Melancholy’ and the language Keats uses in this poem.
"To Autumn" is a poem by English Romantic poet John Keats (31 October – 23 February ). The work was composed on 19 September and published in in a volume of Keats's poetry that included Lamia and The Eve of St.
Agnes. "To Autumn" is the final work in a group of poems known as Keats's " odes".Although personal problems left him little time to devote to poetry in Dec 13, · it's Ode of Melancholy, By John Keats.
and thank u Update 2: BTW guys i dont know to answer this is the first time i use Yahoo, i use Hotmail Status: Resolved. After reading the title of John Keatss Ode on Melancholy, I was immediately intrigued.
I thought it odd to base a poem on the feeling of melancholy. The poem touched me and after I completed reading it, I felt depressed and sad.
I feel that it was Keatss choice and arrangement of words and. Help your students master English literature with this flexible, online textbook replacement course. Our video lessons and quizzes make a.
La Belle Dame sans Merci - More Notes "La Belle Dame sans Merci" or "The Beautiful Lady without Pity" is the title of an early fifteenth-century French poem by .